Grigorescu was prolific and I was interested to discover that like Chen, he studied in Paris and was a contemporary of Millet and Corot. Much of his work is quite dark and brooding but I found several that I wanted to attempt too.
My sketch |
The background on the painted version was very gloomy and the hair tended to get lost. I looked at some tips about moulding the hair around the head and took longer to layer my pencil strokes and can see a small improvement.
In the original she has an almost secret half smile and I think I've captured that?. The eyes are slightly different sizes in retrospect and the left one needs moving over a fraction.
Grigorescu Head of a Girl |
My undersketch of Miss Millet |
I was interested to discover that Grigorescu was in love with Millet's daughter but it 'didn't result in a happy conclusion'. I havent yet found out exactly why?
She's certainly gazing at him in adoring bliss....
Whilst I think I captured the delicacy of her features I like the soft focus feel of the original. I am puzzled as to why her forehead looks so white as it doesnt on the actual painting. A light trick?
Detail Miss Millet |
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